| “Yes. Can’t one cut pages with a garden knife?” |
“But why did she run away to me, and then again from me to--”
“I know, prince, of course I know, but I’m afraid I shall not carry it out; for to do so one needs a heart like your own. He is so very irritable just now, and so proud. At one moment he will embrace me, and the next he flies out at me and sneers at me, and then I stick the lining forward on purpose. Well, _au revoir_, prince, I see I am keeping you, and boring you, too, interfering with your most interesting private reflections.”
| “An idiot!”--the prince distinctly heard the word half whispered from behind him. This was Ferdishenko’s voluntary information for Nastasia’s benefit. |
| He took up the portrait, and went out of the room. |
“Well, a soldier once told me that they were always ordered to aim at the middle of the body. So you see they don’t aim at the chest or head; they aim lower on purpose. I asked some officer about this afterwards, and he said it was perfectly true.”
“In our dear country, as indeed in the whole of Europe, a famine visits humanity about four times a century, as far as I can remember; once in every twenty-five years. I won’t swear to this being the exact figure, but anyhow they have become comparatively rare.”
“Listen, Lebedeff,” began the prince, quite overwhelmed; “_do_ act quietly--don’t make a scandal, Lebedeff, I ask you--I entreat you! No one must know--_no one_, mind! In that case only, I will help you.”
“Nonsense! love him and torment him so! Why, by the very fact that he put the purse prominently before you, first under the chair and then in your lining, he shows that he does not wish to deceive you, but is anxious to beg your forgiveness in this artless way. Do you hear? He is asking your pardon. He confides in the delicacy of your feelings, and in your friendship for him. And you can allow yourself to humiliate so thoroughly honest a man!”
“You found it? Thank God for that!”
| “That is your father, is it not?” asked the prince. |
Conversing with the prince, Aglaya did not even seem to notice that Gania was in the room. But while the prince was getting his pen ready, finding a page, and making his preparations to write, Gania came up to the fireplace where Aglaya was standing, to the right of the prince, and in trembling, broken accents said, almost in her ear:
Yes, agonizing. He remembered how he had suffered that first day when he thought he observed in her the symptoms of madness. He had almost fallen into despair. How could he have lost his hold upon her when she ran away from him to Rogojin? He ought to have run after her himself, rather than wait for news as he had done. Can Rogojin have failed to observe, up to now, that she is mad? Rogojin attributes her strangeness to other causes, to passion! What insane jealousy! What was it he had hinted at in that suggestion of his? The prince suddenly blushed, and shuddered to his very heart.
“Not at all, gentlemen, not at all! Your presence is absolutely necessary to me tonight,” said Nastasia, significantly.
“Yes, it is,” replied Rogojin with an unpleasant smile, as if he had expected his guest to ask the question, and then to make some disagreeable remark.
“You suspect him?”
“Well!--and what’s the meaning of the ‘poor knight,’ eh?”
At length, however, just as the visitors were on the point of departing, Prince S. seemed suddenly to recollect himself. “Oh yes, by-the-by,” he said, “do you happen to know, my dear Lef Nicolaievitch, who that lady was who called out to Evgenie Pavlovitch last night, from the carriage?”
| “What on earth is she afraid of, then? Tell me plainly, without any more beating about the bush,” said the prince, exasperated by the other’s mysterious grimaces. |
“Aha! I think you are growing less cool, my friend, and are beginning to be a trifle surprised, aren’t you? I’m glad that you are not above ordinary human feelings, for once. I’ll console you a little now, after your consternation. See what I get for serving a young and high-souled maiden! This morning I received a slap in the face from the lady!”
| “Was Nastasia Philipovna with him?” |
“Oh, I won’t read it,” said the prince, quite simply.
The prince gazed into his face with pleasure, but still seemed to have no power to speak. His breath failed him. The old man’s face pleased him greatly.
“Of course,” said he. “I have heard it spoken about at your house, and I am anxious to see these young men!”
| “Oh, good heavens! I mean, what did the general say when the purse turned up under the chair? You and he had searched for it together there, hadn’t you?” |
“We have been silent on this subject for three weeks,” said his mother, “and it was better so; and now I will only ask you one question. How can she give her consent and make you a present of her portrait when you do not love her? How can such a--such a--”
| Vera Lebedeff tossed the coin into the air and let it fall on the table. |
“Wonderful!” said Gania. “And he knows it too,” he added, with a sarcastic smile.
“_Who_ forbade you?” cried Mrs. Epanchin once more.
“No--in anger, perhaps. Oh yes! she reproached me dreadfully in anger; and suffered herself, too! But afterwards--oh! don’t remind me--don’t remind me of that!”
“At once... at once... in one moment!”
| The prince looked at him, but said nothing. He had suddenly relapsed into musing, and had probably not heard the question at all. Rogojin did not insist upon an answer, and there was silence for a few moments. |
“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!”
| “I did not ask about Gania out of curiosity,” said the elder, at last. “I wish to know how much you know about him, because he said just now that we need not stand on ceremony with you. What, exactly, does that mean?” |
“Such advice, and at such a moment, you must allow, prince, was--”
And as to her face, could it inspire nothing but passion? Could her face inspire passion at all now? Oh, it inspired suffering, grief, overwhelming grief of the soul! A poignant, agonizing memory swept over the prince’s heart.
“I don’t understand what you are driving at!” he cried, almost angrily, “and, and--what an intriguer you are, Lebedeff!” he added, bursting into a fit of genuine laughter.
Rogojin was not smiling now; he sat and listened with folded arms, and lips tight compressed.
“Tell me, how do you intend to live now, and what are your plans?” interrupted the general.
“Oh, but it’s only the simple tale of an old soldier who saw the French enter Moscow. Some of his remarks were wonderfully interesting. Remarks of an eye-witness are always valuable, whoever he be, don’t you think so?”
| “Yes, I am Rogojin, Parfen Rogojin.” |
“How ‘means nothing’? You are talking nonsense, my friend. You are marrying the woman you love in order to secure her happiness, and Aglaya sees and knows it. How can you say that it’s ‘not the point’?”
| Aglaya left the room in a fit of irritation, and it was not until late in the evening, past eleven, when the prince was taking his departure, that she said a word or two to him, privately, as she accompanied him as far as the front door. |
“Come, come, what does all this mean?” cried Colia beside himself at last. “What is it? What has happened to you? Why don’t you wish to come back home? Why have you gone out of your mind, like this?”
“Ah that is the secret,” said Lebedeff, with a smile.
“How dreadfully you look at me, Parfen!” said the prince, with a feeling of dread.
“No--nothing more than that. Why, they couldn’t understand him themselves; and very likely didn’t tell me all.”
Aglaya stopped, took the letter, and gazed strangely into the prince’s eyes. There was no confusion in her face; a little surprise, perhaps, but that was all. By her look she seemed merely to challenge the prince to an explanation as to how he and Gania happened to be connected in this matter. But her expression was perfectly cool and quiet, and even condescending.
| Seeing him laugh, Lebedeff thought fit to laugh also, and though much agitated his satisfaction was quite visible. |
“Very well, but I’ll change my mind, and begin about Gania. Just fancy to begin with, if you can, that I, too, was given an appointment at the green bench today! However, I won’t deceive you; I asked for the appointment. I said I had a secret to disclose. I don’t know whether I came there too early, I think I must have; but scarcely had I sat down beside Aglaya Ivanovna than I saw Gavrila Ardalionovitch and his sister Varia coming along, arm in arm, just as though they were enjoying a morning walk together. Both of them seemed very much astonished, not to say disturbed, at seeing me; they evidently had not expected the pleasure. Aglaya Ivanovna blushed up, and was actually a little confused. I don’t know whether it was merely because I was there, or whether Gania’s beauty was too much for her! But anyway, she turned crimson, and then finished up the business in a very funny manner. She jumped up from her seat, bowed back to Gania, smiled to Varia, and suddenly observed: ‘I only came here to express my gratitude for all your kind wishes on my behalf, and to say that if I find I need your services, believe me--’ Here she bowed them away, as it were, and they both marched off again, looking very foolish. Gania evidently could not make head nor tail of the matter, and turned as red as a lobster; but Varia understood at once that they must get away as quickly as they could, so she dragged Gania away; she is a great deal cleverer than he is. As for myself, I went there to arrange a meeting to be held between Aglaya Ivanovna and Nastasia Philipovna.”
“No! do you think so?” said the general, catching at the idea.
| “Of course, mamma!” said Alexandra. “But let’s have lunch now, we are all hungry!” |
“Wait five minutes more, Mr. Burdovsky,” said Gavrila Ardalionovitch pleasantly. “I have more to say. Some rather curious and important facts have come to light, and it is absolutely necessary, in my opinion, that you should hear them. You will not regret, I fancy, to have the whole matter thoroughly cleared up.”
“H’m! yes; did you live in Petersburg in former years?”
| “Tell me, prince, why on earth did this boy intrude himself upon you?” he asked, with such annoyance and irritation in his voice that the prince was quite surprised. “I wouldn’t mind laying odds that he is up to some mischief.” |
All this had been very painful to listen to. One fact stood out certain and clear, and that was that poor Aglaya must be in a state of great distress and indecision and mental torment (“from jealousy,” the prince whispered to himself). Undoubtedly in this inexperienced, but hot and proud little head, there were all sorts of plans forming, wild and impossible plans, maybe; and the idea of this so frightened the prince that he could not make up his mind what to do. Something must be done, that was clear.
| He lifted the curtain, paused--and turned to the prince. “Go in,” he said, motioning him to pass behind the curtain. Muishkin went in. |
“‘My God!’ he cried, ‘where did you find it? How?’ I explained in as few words as I could, and as drily as possible, how I had seen it and picked it up; how I had run after him, and called out to him, and how I had followed him upstairs and groped my way to his door.
“I will come with the greatest pleasure, and thank you very much for taking a fancy to me. I dare say I may even come today if I have time, for I tell you frankly that I like you very much too. I liked you especially when you told us about the diamond earrings; but I liked you before that as well, though you have such a dark-clouded sort of face. Thanks very much for the offer of clothes and a fur coat; I certainly shall require both clothes and coat very soon. As for money, I have hardly a copeck about me at this moment.”
| He was not in the least disconcerted to see Varia there, but he stood a moment at the door, and then approached the prince quietly. |
“Don’t lose your temper. You are just like a schoolboy. You think that all this sort of thing would harm you in Aglaya’s eyes, do you? You little know her character. She is capable of refusing the most brilliant party, and running away and starving in a garret with some wretched student; that’s the sort of girl she is. You never could or did understand how interesting you would have seen in her eyes if you had come firmly and proudly through our misfortunes. The prince has simply caught her with hook and line; firstly, because he never thought of fishing for her, and secondly, because he is an idiot in the eyes of most people. It’s quite enough for her that by accepting him she puts her family out and annoys them all round--that’s what she likes. You don’t understand these things.”
“No, no--prince, not now! Now is a dream! And it is too, too important! It is to be the hour of Fate to me--_my own_ hour. Our interview is not to be broken in upon by every chance comer, every impertinent guest--and there are plenty of such stupid, impertinent fellows”--(he bent over and whispered mysteriously, with a funny, frightened look on his face)--“who are unworthy to tie your shoe, prince. I don’t say _mine_, mind--you will understand me, prince. Only _you_ understand me, prince--no one else. _He_ doesn’t understand me, he is absolutely--_absolutely_ unable to sympathize. The first qualification for understanding another is Heart.”
| “You don’t think me one! Oh, dear me!--that’s very clever of you; you put it so neatly, too.” |
“I don’t know absolutely for certain; but in all probability it is so,” replied Hippolyte, looking round. “Nastasia would hardly go to her; and they can’t meet at Gania’s, with a man nearly dead in the house.”
| “Oh, but I learned very little, you know!” added the prince, as though excusing himself. “They could not teach me very much on account of my illness.” |