In a word, the whole place was confined, and a “tight fit” for the party. Gania used to grind his teeth with rage over the state of affairs; though he was anxious to be dutiful and polite to his mother. However, it was very soon apparent to anyone coming into the house, that Gania was the tyrant of the family.
Aglaya blushed. Perhaps it struck her as very strange and impossible that she should really be sitting here and waiting for “that woman’s” reply to her question. Lizabetha Prokofievna, who really had not slept all night, rose at about eight on purpose to meet Aglaya in the garden and walk with her; but she could not find her either in the garden or in her own room.

“Marriage covers everything,” observed a third.

But the puzzle and mystery of Aglaya was not yet over for the evening. The last exhibition fell to the lot of the prince alone. When they had proceeded some hundred paces or so from the house, Aglaya said to her obstinately silent cavalier in a quick half-whisper:
Aglaya went up to him with a peculiarly serious look.
“Are you aware that she writes to me almost every day?”
“Come, come! the less _you_ say about it the better--to judge from all I have heard about you!” replied Mrs. Epanchin.
The prince gazed affectionately at Colia, who, of course, had come in solely for the purpose of talking about this “gigantic thought.”

“Why, I’ve not only heard of it; I see it for myself,” he said. “When have you ever spoken like that before? It wasn’t like yourself, prince. Why, if I hadn’t heard this report about you, I should never have come all this way into the park--at midnight, too!”

“Look here, once for all,” cried Aglaya, boiling over, “if I hear you talking about capital punishment, or the economical condition of Russia, or about Beauty redeeming the world, or anything of that sort, I’ll--well, of course I shall laugh and seem very pleased, but I warn you beforehand, don’t look me in the face again! I’m serious now, mind, this time I _am really_ serious.” She certainly did say this very seriously, so much so, that she looked quite different from what she usually was, and the prince could not help noticing the fact. She did not seem to be joking in the slightest degree.
“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!”
“My darling, my little idol,” cried the general, kissing and fondling her hands (Aglaya did not draw them away); “so you love this young man, do you?” “Lef Nicolaievitch, my friend, come along with me.” It was Rogojin.

“I have little brothers and sisters, over there, poor avid innocent. She will corrupt them! You are a saint! You are a child yourself--save them! Snatch them from that... she is... it is shameful! Oh! help them! God will repay you a hundredfold. For the love of God, for the love of Christ!”

“I didn’t say a word, but with extreme courtesy, I may say with most refined courtesy, I reached my finger and thumb over towards the poodle, took it up delicately by the nape of the neck, and chucked it out of the window, after the cigar. The train went flying on, and the poodle’s yells were lost in the distance.”

“Sit down,” said Rogojin; “let’s rest a bit.” There was silence for a moment.
“This page of the album, framed in gold, hung on the wall of my sister’s drawing-room all her life, in the most conspicuous place, till the day of her death; where it is now, I really don’t know. Heavens! it’s two o’clock! _How_ I have kept you, prince! It is really most unpardonable of me.”
“Why, it would be a game to cry over--not to laugh at!” said the actress.

Without the ceremony of knocking, Parfen entered a small apartment, furnished like a drawing-room, but with a polished mahogany partition dividing one half of it from what was probably a bedroom. In one corner of this room sat an old woman in an arm-chair, close to the stove. She did not look very old, and her face was a pleasant, round one; but she was white-haired and, as one could detect at the first glance, quite in her second childhood. She wore a black woollen dress, with a black handkerchief round her neck and shoulders, and a white cap with black ribbons. Her feet were raised on a footstool. Beside her sat another old woman, also dressed in mourning, and silently knitting a stocking; this was evidently a companion. They both looked as though they never broke the silence. The first old woman, so soon as she saw Rogojin and the prince, smiled and bowed courteously several times, in token of her gratification at their visit.

“Another excellent idea, and worth considering!” replied Lebedeff. “But, again, that is not the question. The question at this moment is whether we have not weakened ‘the springs of life’ by the extension...”
“And it’s Siberia for sacrilege, isn’t it?”
“Quite so, quite so!” cried Mrs. Epanchin, delighted. “I see you _can_ be sensible now and then, Alexandra. You were speaking of Switzerland, prince?”
“Take fifty roubles for your cloak?” he shouted, holding the money out to the girl. Before the astonished young woman could collect her scattered senses, he pushed the money into her hand, seized the mantle, and threw it and the handkerchief over Nastasia’s head and shoulders. The latter’s wedding-array would have attracted too much attention, and it was not until some time later that the girl understood why her old cloak and kerchief had been bought at such a price.

“H’m! Well, you may be a good reader of riddles but you are wrong _there_, at all events. I’ll remind you of this, tonight.”

“Is it today, Gania?” asked Nina Alexandrovna, at last.
He jumped up and hurried off, remembering suddenly that he was wanted at his father’s bedside; but before he went out of the room he inquired hastily after the prince’s health, and receiving the latter’s reply, added:
“No, I am not lying.”
“What nonsense!” Lebedeff’s nephew interrupted violently.

“Judging from the fact that the prince blushed at this innocent joke, like a young girl, I should think that he must, as an honourable man, harbour the noblest intentions,” said the old toothless schoolmaster, most unexpectedly; he had not so much as opened his mouth before. This remark provoked general mirth, and the old fellow himself laughed loudest of the lot, but ended with a stupendous fit of coughing.

“Ha! ha! ha! I thought so. I thought I should hear something like that. Well, you are--you really are--oh dear me! Eloquence, eloquence! Good-bye!”
For a man of Totski’s wealth and standing, it would, of course, have been the simplest possible matter to take steps which would rid him at once from all annoyance; while it was obviously impossible for Nastasia Philipovna to harm him in any way, either legally or by stirring up a scandal, for, in case of the latter danger, he could so easily remove her to a sphere of safety. However, these arguments would only hold good in case of Nastasia acting as others might in such an emergency. She was much more likely to overstep the bounds of reasonable conduct by some extraordinary eccentricity. But it was a hysterical laugh; he was feeling terribly oppressed. He remembered clearly that just here, standing before this window, he had suddenly turned round, just as earlier in the day he had turned and found the dreadful eyes of Rogojin fixed upon him. Convinced, therefore, that in this respect at all events he had been under no delusion, he left the shop and went on.
“Listen, Mr. Terentieff,” said Ptitsin, who had bidden the prince good-night, and was now holding out his hand to Hippolyte; “I think you remark in that manuscript of yours, that you bequeath your skeleton to the Academy. Are you referring to your own skeleton--I mean, your very bones?”
He aired his own views on various matters, some of his most private opinions and observations, many of which would have seemed rather funny, so his hearers agreed afterwards, had they not been so well expressed.
“‘He scarcely ever talked about the particular crimes of any of them, but listened if any volunteered information on that point. All the convicts were equal for him, and he made no distinction. He spoke to all as to brothers, and every one of them looked upon him as a father. When he observed among the exiles some poor woman with a child, he would always come forward and fondle the little one, and make it laugh. He continued these acts of mercy up to his very death; and by that time all the criminals, all over Russia and Siberia, knew him!

“Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people.

“Oh, _she_ told me all about it long ago, and tonight I saw for myself. I saw you at the music, you know, and whom you were sitting with. She swore to me yesterday, and again today, that you are madly in love with Aglaya Ivanovna. But that’s all the same to me, prince, and it’s not my affair at all; for if you have ceased to love _her_, _she_ has not ceased to love _you_. You know, of course, that she wants to marry you to that girl? She’s sworn to it! Ha, ha! She says to me, ‘Until then I won’t marry you. When they go to church, we’ll go too--and not before.’ What on earth does she mean by it? I don’t know, and I never did. Either she loves you without limits or--yet, if she loves you, why does she wish to marry you to another girl? She says, ‘I want to see him happy,’ which is to say--she loves you.”

Here Evgenie Pavlovitch quite let himself go, and gave the reins to his indignation.

What did he think of all this time, then? What did he wish for? There is no doubt that he was a perfectly free agent all through, and that as far as Nastasia was concerned, there was no force of any kind brought to bear on him. Nastasia wished for a speedy marriage, true!--but the prince agreed at once to her proposals; he agreed, in fact, so casually that anyone might suppose he was but acceding to the most simple and ordinary suggestion.