“She--ah, that’s where all the mischief of it lies!” replied Ivolgin, frowning. “Without a word, as it were, of warning, she slapped me on the cheek! An extraordinary woman!” “Fortune--money--do you mean?” asked the prince in some surprise.

IV.

“This evening!” repeated her mother in a tone of despair, but softly, as though to herself. “Then it’s all settled, of course, and there’s no hope left to us. She has anticipated her answer by the present of her portrait. Did he show it you himself?” she added, in some surprise.
“The visit to Rogojin exhausted me terribly. Besides, I had felt ill since the morning; and by evening I was so weak that I took to my bed, and was in high fever at intervals, and even delirious. Colia sat with me until eleven o’clock.
“Count on my assistance? Go alone? How can you ask me that question, when it is a matter on which the fate of my family so largely depends? You don’t know Ivolgin, my friend. To trust Ivolgin is to trust a rock; that’s how the first squadron I commanded spoke of me. ‘Depend upon Ivolgin,’ said they all, ‘he is as steady as a rock.’ But, excuse me, I must just call at a house on our way, a house where I have found consolation and help in all my trials for years.”
Hippolyte raised his head with an effort, saying: Without the ceremony of knocking, Parfen entered a small apartment, furnished like a drawing-room, but with a polished mahogany partition dividing one half of it from what was probably a bedroom. In one corner of this room sat an old woman in an arm-chair, close to the stove. She did not look very old, and her face was a pleasant, round one; but she was white-haired and, as one could detect at the first glance, quite in her second childhood. She wore a black woollen dress, with a black handkerchief round her neck and shoulders, and a white cap with black ribbons. Her feet were raised on a footstool. Beside her sat another old woman, also dressed in mourning, and silently knitting a stocking; this was evidently a companion. They both looked as though they never broke the silence. The first old woman, so soon as she saw Rogojin and the prince, smiled and bowed courteously several times, in token of her gratification at their visit.
“No, Ferdishenko would not; he is a candid fellow, Nastasia Philipovna,” said that worthy. “But the prince would. You sit here making complaints, but just look at the prince. I’ve been observing him for a long while.”
“Wait in the next room, please; and leave your bundle here,” said the door-keeper, as he sat down comfortably in his own easy-chair in the ante-chamber. He looked at the prince in severe surprise as the latter settled himself in another chair alongside, with his bundle on his knees.
“Why, how am I to blame?” asked Adelaida, smiling.
“Your exclamation proves the generous sympathy of your nature, prince; for four hundred roubles--to a struggling family man like myself--is no small matter!”
Hippolyte raised his head with an effort, saying:

“Well, for God’s sake, what made you say the other?”

“Come,” he said.

“There,” he whispered, nodding his head towards the curtain.

“Here on my paper, I make a note of all the figures and dates that come into my explanation. Of course, it is all the same to me, but just now--and perhaps only at this moment--I desire that all those who are to judge of my action should see clearly out of how logical a sequence of deductions has at length proceeded my ‘last conviction.’
“In spite of Norma’s terror she looked furious, though she trembled in all her limbs. At length she slowly bared her terrible teeth, opened her great red jaws, hesitated--took courage, and seized the beast in her mouth. It seemed to try to dart out of her jaws twice, but Norma caught at it and half swallowed it as it was escaping. The shell cracked in her teeth; and the tail and legs stuck out of her mouth and shook about in a horrible manner. Suddenly Norma gave a piteous whine; the reptile had bitten her tongue. She opened her mouth wide with the pain, and I saw the beast lying across her tongue, and out of its body, which was almost bitten in two, came a hideous white-looking substance, oozing out into Norma’s mouth; it was of the consistency of a crushed black-beetle. Just then I awoke and the prince entered the room.”
“I have seen a donkey though, mamma!” said Aglaya.

Oh, no, he did not think of Aglaya as a boarding-school miss, or a young lady of the conventional type! He had long since feared that she might take some such step as this. But why did she wish to see Nastasia?

“What are you thinking of? Don’t go, he’ll blow his brains out in a minute!” cried Vera Lebedeff, rushing up to Hippolyte and catching hold of his hands in a torment of alarm. “What are you thinking of? He said he would blow his brains out at sunrise.”

There was no reason for the prince to set anyone to watch, even if he had been capable of such a thing. Aglaya’s command that he should stay at home all day seemed almost explained now. Perhaps she meant to call for him, herself, or it might be, of course, that she was anxious to make sure of his not coming there, and therefore bade him remain at home. His head whirled; the whole room seemed to be turning round. He lay down on the sofa, and closed his eyes.

“You must tell me all about it tomorrow! Don’t be afraid. I wish you success; we agree so entirely that I can do so, although I do not understand why you are here. Good-bye!” cried Colia excitedly. “Now I will rush back and tell Hippolyte all about our plans and proposals! But as to your getting in--don’t be in the least afraid. You will see her. She is so original about everything. It’s the first floor. The porter will show you.”
“When I arose to lock the door after him, I suddenly called to mind a picture I had noticed at Rogojin’s in one of his gloomiest rooms, over the door. He had pointed it out to me himself as we walked past it, and I believe I must have stood a good five minutes in front of it. There was nothing artistic about it, but the picture made me feel strangely uncomfortable. It represented Christ just taken down from the cross. It seems to me that painters as a rule represent the Saviour, both on the cross and taken down from it, with great beauty still upon His face. This marvellous beauty they strive to preserve even in His moments of deepest agony and passion. But there was no such beauty in Rogojin’s picture. This was the presentment of a poor mangled body which had evidently suffered unbearable anguish even before its crucifixion, full of wounds and bruises, marks of the violence of soldiers and people, and of the bitterness of the moment when He had fallen with the cross--all this combined with the anguish of the actual crucifixion.
Aglaya raised her head haughtily.
“You are slandering them, Lebedeff,” said he, smiling.
“Excuse me,” said the red-nosed man to the young fellow with the bundle, rather suddenly; “whom have I the honour to be talking to?”
The prince glanced at it, but took no further notice. He moved on hastily, as though anxious to get out of the house. But Rogojin suddenly stopped underneath the picture.
“Idiot!”
“I expect he knows all about it!” thought the prince.
“Who said that, Colia?”

“What’s true? What’s all this? What’s true?” said an alarmed voice just beside them.

“I am not surprised at that. After what you... But I do hate that way of looking at things! Because some fool, or a rogue pretending to be a fool, strikes a man, that man is to be dishonoured for his whole life, unless he wipes out the disgrace with blood, or makes his assailant beg forgiveness on his knees! I think that so very absurd and tyrannical. Lermontoff’s Bal Masque is based on that idea--a stupid and unnatural one, in my opinion; but he was hardly more than a child when he wrote it.”
“I shall leave you nothing!” exclaimed his uncle angrily.
“It would be very pleasant,” returned the prince. “But we must see. I am really rather worried just now. What! are we there already? Is that the house? What a long flight of steps! And there’s a porter! Well, Colia I don’t know what will come of it all.”
No, this was no apparition!
“Ah!” cried Hippolyte, turning towards Evgenie Pavlovitch, and looking at him with a queer sort of curiosity. “I can’t understand why you always fly into a temper,” said Mrs. Epanchin, who had been listening to the conversation and examining the faces of the speakers in turn. “I do not understand what you mean. What has your little finger to do with it? The prince talks well, though he is not amusing. He began all right, but now he seems sad.”
“H’m! and you think there was something of this sort here, do you? Dear me--a very remarkable comparison, you know! But you must have observed, my dear Ptitsin, that I did all I possibly could. I could do no more than I did. And you must admit that there are some rare qualities in this woman. I felt I could not speak in that Bedlam, or I should have been tempted to cry out, when she reproached me, that she herself was my best justification. Such a woman could make anyone forget all reason--everything! Even that moujik, Rogojin, you saw, brought her a hundred thousand roubles! Of course, all that happened tonight was ephemeral, fantastic, unseemly--yet it lacked neither colour nor originality. My God! What might not have been made of such a character combined with such beauty! Yet in spite of all efforts--in spite of all education, even--all those gifts are wasted! She is an uncut diamond.... I have often said so.”